A little life gay
A Little Life by Hanya Yanagihara
Hanya Yanagihara’s second novel, A Little Life, has become one of the most talked about books of and with superb reason. What begins as an atmospheric bildungsroman set in a mythically ahistorical New York Noun morphs by behind degrees into a harrowing meditation on otherness and the redemptive possibilities of survival and friendship.
The novel opens on a close-knit position of friends from an elite Recent England college who have settled in New York Noun to chase their dreams. Willem Ragnarsson, the handsome and emotionally starved infant of Wyoming ranchers, waits tables while auditioning for plays. The gay only-son of Haitian immigrants, Jean-Baptiste Marion, known to his friends as J.B., focuses his implacable self-loathing on breaking into the art world. Malcolm Irvine, who was born to wealthy, interracial parents on Manhattan’s Upper East Side, cannot decide if he is straight or gay and pursues a career in architecture to impress his self-made father. And then there is Jude, exquisitely beautiful and partially disabled by a mysterious, long-ag
Hanya Yanagihara’s second novel A Little Life, released ten years ago, has become a contemporary classic – with notoriety and acclaim boosting its profile in equal measure.
The novel begins by following four friends – Jude, Willem, JB and Malcolm – as they navigate careers, relationships and friendship in New York. However, it quickly comes to focus on the story of Jude, gradually revealing his deeply traumatic childhood and the ways it is affecting his individual life.
In , UK publisher Picador re-released the novel as part of its new Picador Collection – a range of “era-defining contemporary classics”. But how has a novel with such harrowing content become one of the most popular books of the last decade?
Looking for something good? Cut through the noise with a carefully curated selection of the latest releases, live events and exhibitions, straight to your inbox every fortnight, on Fridays. Sign up here.
This is one of the clearest examples of the “trauma plot”, which literary critic Parul Sehgal has identified as a defining feature of our contemporary cultural landscape. Th
The viral book ‘A Little Life’ handles little with care
In her column “Brutal Monsters,” Cate Burtner ’25 offers commentary on the literature of mental illness.
Content warning: mentions of abuse and self-harm (SH).
Hanya Yanagihara’s noun “A Little Life” came out in In , it took the internet by storm. In July , a friend told me that everyone who read it told her the manual was “just really sad.” I had just finished reading the highly buzzed novel myself. When I told her about the actual events of the story, she was shocked.
“A Little Life” follows four college friends who stay in New York City after graduating from a prestigious, unnamed university in New England. We follow their lives from their mids into their 50s, with a central focus on Jude, a lawyer with multiple disabilities who experiences an extreme amount of abuse and trauma from childhood onward. The friend group also includes an actor named Willem (Jude’s love interest), an artist named JB and an architect named Malcolm.
The novel dedicates space to the relationships between the four men, but it does not
The cover of my edition of A Little Life, Hanya Yanagihara’s Booker- and National Book Award-nominated novel, is a close-up, black-and-white photograph of a dude crying. It may be the most perfectly thematic cover ever designed, because this novel, falsely advertised as a novel about four college friends, is actually a close-up, nuance-averse portrait of one man’s persistent suffering.
Jude St. Francis is a brilliant, sweet young bloke who keeps a lot of secrets, because—as we detect out later—his childhood was a never-ending series of increasingly horrific abuse by men who were supposed to grab care of him, starting from the monks who rescued him as an abandoned baby and raised him on a regimen of physical violence and sexual abuse within their walls, progressing until an injury so bad that he now struggles with a lifelong disability and chronic pain; and his adult life is basically a prolonged trajectory of professional success shadowed by constant, grotesque self-harm.
His three friends—prickly artist J.B., insecure architect Malcolm, and Willem, the handsome actor who loves